Renowned Nigerian singer Divine Ikubor, popularly known as Rema, has expressed his discontent over claims that he is not on the same level as Afrobeats giants Wizkid, Davido, and Burna Boy. The artist addressed these assertions in his latest release, “Hehehe,” which dropped on Monday morning under Mavin Global Holdings.
Rema’s statement follows the backlash he received after his bold tweet declaring, “No more Big 3; there’s now a Big 4.” This remark, which references the universally recognized trio of Burna Boy, Wizkid, and Davido as the pinnacle of Nigerian and Afrobeats music, sparked significant controversy among fans and critics alike.
Burna Boy, Wizkid, and Davido have long been celebrated as the leading figures in the Afrobeats genre, collectively known as the “Big 3.” Their immense contributions to the global spread of Nigerian music have earned them this distinguished status. However, Rema is adamant that he deserves to be included in this elite group, thus forming what he terms the “Big 4.”
In “Hehehe,” Rema addresses his critics head-on, stating,
“No more big 3, there’s now a big 4. People go para but what for? Dem go say I don’t deserve it but that is an insult.”
These lyrics reflect his unwavering belief in his talent and his rightful place among the top-tier Afrobeats artists.
Rema’s rise in the music industry has been nothing short of meteoric. Since his debut, he has consistently delivered hit songs and garnered a massive following both locally and internationally. His unique sound, characterized by a fusion of Afrobeats, trap, and pop, has set him apart in the crowded music scene.
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The singer’s assertion of being on par with Wizkid, Davido, and Burna Boy is not without merit. Rema has achieved numerous accolades, including several chart-topping singles and international recognition. His ability to continuously innovate and captivate audiences has solidified his status as a key player in the global music industry.
Despite the controversy, Rema’s bold claim has sparked important conversations about the evolving landscape of Afrobeats and the new generation of artists pushing the genre forward. As the music scene grows, so does the need to acknowledge and celebrate emerging talents who are making significant contributions.
Rema’s insistence on being part of the “Big 4” underscores his confidence and ambition, qualities that have undoubtedly fueled his success. As he continues to make waves in the industry, fans and critics alike will be watching closely to see how he further cements his place among the legends of Afrobeats.
In conclusion, Rema’s latest track “Hehehe” is more than just a song; it is a bold statement of his belief in his artistry and his determination to be recognized as one of the leading figures in Nigerian music. Whether or not the “Big 4” becomes a widely accepted term, there is no denying Rema’s impact and his rightful claim to be counted among the greats.
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